Shiv Kotecha writes poetry, fiction and criticism. He is the author of two books, The Switch (Wonder) and EXTRIGUE (Make Now Books). He holds a PhD in English from New York University, and teaches poetry for NYU’s XE: Experimental Humanities & Social Engagement Master's program. He lives in New York, where he is a contributing editor for frieze magazine and is on the staff of The Andy Warhol Foundation Arts Writers Grant, where he co-edits a publication and manages grantee services.
- review in 4Columns: Carl Craig’s Party/After-Party, Dia:Beacon
- Shiv’s Light (ongoing), hosted by ThisLight.org—a folder of free movies of from South Asia—all available w/ subtitles. See the README files for a rundown of what’s what.
- essay in frieze: “Out of Earshot,” about Asha Bhosle’s long playback career. Published with an interview with Andrew Durbin, and an hour of music
- radiohour for Montez Press Radio: Joy and Share w/ Joey Yearous-Algozin
* * *
The Switch (Wonder, 2018)
The Switch contains three books:
1. an extended apology, in fictional verse, for friendship and desire
2. the result of a residency: "Obedience Residency Manual"
3. a long poem by an angry god.
Book design: Holly Melgard
Purchase @ Wonder or SPD
Shiv Kotecha does for the word fucking what Catullus did for the word kissing. In The Switch, desire travels everywhere to its surprisingly specific destinations—to body parts aroused in their fashion, like a saint’s skull or a cock. Here love is as artificial as a courtly dialogue, and deeply felt, even spiritual. Here the arousal of the fragmented body is contemporary practice. Is one allowed to write such a book? Among the spectacular effects and turns and startling intimacies in The Switch, the most daring is its no-holds-barred pursuit of love.
Shiv Kotecha’s deeply weird and affecting book The Switch works with prosaic measure and measured prose to compress the mess of everyday sexual feeling, the mess of everyday relating (both on and off the planet of the genital) into these often perfect lines
“Poetry is never lost in a politics of refusal, and even in the most flirtatious behavioral studies of human and nonhuman desire for connection ... Kotecha’s ballast is clearly his feeling for the radiance of form-switching itself”
―CORINA COPP, BOMB
“it consists of an easy-to-read novel.“
―CLARA LOU, Book and Film Globe
Corina Copp, Editors Pick at BOMB
Charlie Markbreiter at The Believer
Rachel Vallen’s Winter Poetry Select at TANK
Clara Luo at Book and Film Globe
Katherine Beaman at Common Place Review
* * *
EXTRIGUE (Make Now Books, 2015)
EXTRIGUE is a shot-by-shot rendering of Billy Wilder’s Double Indemnity.
Book design: Holly Melgard
Purchase @ SPD or Make Now Books
Like a post-conceptual Pompeii, Shiv Kotecha’s EXTRIGUE archives the rubble of language as forensics. Freud's Little Hans meets Lynch's Mullholland Drive. EXTRIGUE works
repetition and perception in order to collapse time. Through his
numbered sequencing of the human stain, Kotecha pulls us into an endless
present: “345. A FLAME THAT FADES INTO A PHONE A MAN THAT FADES INTO A
MAN A LAMP THAT FADES INTO A BOOK SMOKE THAT FADES INTO A HAT.“ EXTRIGUE, outside of self, is the canoptic jar of the now.
“If the items (numbered) in EXTRIGUE resemble Objects, Rooms, and Foods we’ve grown accustomed to in Stein’s Tender Buttons, it is because PAUSE is the tenderest button of them all. She never could have known.”
―DIVYA VICTOR, The Poetry Foundation
”Pause is the tenderest button: On Shiv Kotecha's EXTRIGUE“ by Divya Victor
* * *
review: Monica Majoli, frieze
profile: Ritwik Ghatak, frieze
review: TM Davy, frieze
review: Harry Dodge, frieze
review: Tony Conrad frieze
review: Cy Gavin frieze
review: David Robilliard, frieze
review: B. Wurtz frieze
photo credit: mary manning